Is Roger Waters 24k master sound Amused to Death worth it? One of rock masterpieces by Roger Waters, "Amused To Death," which was originally released in 1992, backs with ultimate sound treatment and new cover artwork. To see a list of all of this year’s Grammy winners (as well as all of the nominees), go here. However, there is no doubt that when James Guthrie and Joel Plante got their hands on it, the true capabilities of immersive audio were realized in this dystopian prog-rock mixing masterpiece. Signature prog guitars are met with provocative vocals, sampling techniques and effects which keep the listener guessing throughout. The surround mix engineer and surround producer on Amused was James Guthrie, a longtime friend of HRAC. The winner of the Best Surround Sound Album at the 58th annual Grammy Awards, which were handed out in Los Angeles on Monday, February 15, was Roger Waters’ Amused to Death. Audiophile specialists Acoustic Sounds say they took the many requests … The Analogue Productions' reissue is beautifully recorded, lavish in depth and rich in sound. Guthrie’s hot-off-the-press surround mix of Amused to Death was presented in McAlpin Hall, a smallish rehearsal space in Princeton’s music building. I would hope a 2 ch layer is available. There we heard longtime Floyd engineer James Guthrie (above, right) play the 5.1 surround mix of Roger Waters' Amused To Deathfollowed by the playing, on the same custom surround setup using ATC speakers, of the previously released surround mixes, of … Thematically, the album focuses on a society obsessed with celebrity and throwaway entertainment — a culture of skewed priorities which many would say has come to light in the years since the 1992 release. The trophy went to the team of Guthrie and Joel Plante … Description 2016 Grammy Award Winner! The surround mix engineer and surround producer on Amused was James Guthrie, a longtime friend of HRAC. The CD has a touch more bass and warmth, is more subjectively dynamic in a few important spots, and the QSound effects are sometimes (not always) more focused. The 2015 SACD edition of Amused to Death features a new 5.1 surround remix of the album completed by longtime Roger Waters / Pink Floyd collaborator and co-producer, James Guthrie. For more of my interview with Guthrie about what he did for the Amused to Death 5.1 mix, go here. “The new 5.1 mixes of Amused to Death sound stunning,” Waters told me during our in-person interview in New York last fall. Having been involved with the powerhouse of Pink Floyd, many of the members have suffered from comparison to the high bar they previously set themselves. But when it comes to finally getting producer/engineer James Guthrie’s long-awaited 96kHz/24-bit mix of Roger Waters’ 1992 solo album Amused to Death in 5.1 on Blu-ray in hand, well… the word “good” isn’t quite good enough. The 2015 CD + Blu-ray edition of Amused to Death feature a new 5.1 surround remix of the album on high-definition Blu-ray audio completed by longtime Roger Waters / Pink Floyd collaborator and co-producer, James Guthrie. The 2015 CD + Blu-ray edition of Amused to Death feature a new 5.1 surround remix of the album on high-definition Blu-ray audio completed by longtime Roger Waters / Pink Floyd collaborator and co-producer, James Guthrie. Drowned in Sound wrote: "Amused to Death stands up on its own as one of the better, more intriguing post-Floyd records". Amused To Death was originally mixed using QSound, a virtual surround sound, enhancing the spatial feel of the music along with the various sound effects sprinkled throughout the album. Twenty-three years later, Amused to Death speaks to our present moment in ways that could scarcely have been anticipated two decades ago. QSound is a "virtual surround sound" encoding system that gives the music on Amused to Death a unique 3-Dimensional effect when played in Stereo. It’s pretty amazing.”, While Patrick Leonard was Waters’ co-producer on the original release of Amused to Death in 1992, Guthrie was enlisted in recent years to bring his own special brand of mixing elixir into the control room and take the album to another level for the 5.1 mix earmarked for Blu-ray and SACD, and its overall scope and breadth are very much HRAC Approved. It has been confirmed today that Roger Waters ‘ 1992 solo album Amused To Death – their much-delayed LP and SACD reissue project – will now be released as a multi-channel surround sound SACD rather than ‘just’ stereo as originally proposed. “Yeah, it’s great; I love it. Download progressive rock album by Roger Waters - Amused To Death (2015) SACD-R He writes about engineering and production, musicianship and music equipment for a number of publications including his own site. In 2016 Amused to Death won the Grammy Award for Best Surround Sound Album at the 58th Annual Grammy Awards. Verdict: Love the HAL voice in "Perfect Sense," but I like the overall sound quality of the old CD a little better. Credit is deserved for tying the orchestral vibes of “The Bravery of Being Out of Range” with the eerie reversed echo sounds in “Watching TV” and on to the rocky, climactic, gospel-backed title track “Amused to Death.” The engineers, along with Waters’ cynical lyrics, delivered with shades of Bowie, keep otherwise disparate ideas centered around a unifying theme. The clarity in the engineering and final mix of the album is even more impressive when you consider the huge amount of sampling from other sources used throughout Roger Waters’ original recording. It won’t be a surprise to anyone who has followed the Pink Floyd star’s career that experimentation is rife in the album. It will probably be available on HDtracks as well. Product description. To see what Guthrie thinks about the benefits of listening to high-resolution recordings, go here on HRAC. Roger Waters' Amused to Death has just been released in a variety of formats, including a 5.1 surround sound version found on Blu-ray and (just about to be released) on SACD (Super Audio CD). Legendary recording engineer/producer James Guthrie, who has worked with Pink Floyd for a long time, is responsible for mixing this release with the highest quality recording technology, using the original master tape. James Guthrie got back in the studio to re-mix Roger Waters aclaimed 1992 album Amused to Death. In general, I hear the surround effects more clearly in the old mix. The 2015 album reissue of Amused to Death featuring a new 5.1 surround remix completed by longtime Roger Waters / Pink Floyd collaborator and co-producer, James Guthrie, won the Grammy for Best Surrround Sound Album at the 58th Annual Grammy Awards in Los Angeles Monday night.. Roger Waters has formally announced a newly remastered version of his 1992 solo album Amused to Death.It’ll be available in a variety of formats — including CD, Blu-ray, SACD, hi-res digital download, and 2xLP vinyl — on Friday, July 24h through Columbia / Legacy Records. The art has been updated for 2015 by Sean Evans, the creative director of Waters’ 2010-2013 “The Wall Live” tour and movie. Amused To Death was originally mixed using QSound, a virtual surround sound, enhancing the spatial feel of the music along with the various sound effects sprinkled throughout the album. In 2016, James Guthrie and Joel Plante were awarded the Grammy for Best Immersive Audio album for their remastering and immersive rethinking of Amused to Death by Pink Floyd’s father of prog-rock, Roger Waters. Lyrically this is certainly the case, but musically it feels more like a collection of ideas, a catalog spanning the five years over which this was recorded, with each of the 30 plus musicians who worked on the album leaving their own signature, all tied together in one mix. We thought this was a good opportunity to clarify/discuss some of the details. Roger Waters's third solo album allowed a faint but perceptible return to the sound of his estranged former band, Pink Floyd. Roger Waters ~ Amused To Death Amazon.ca. The Ballad of Bill Hubbard The re-mixes include both a 5.1 surround sound version and new stereo mixes. Ben is a writer and musician from the UK with a background in music technology. Roger Waters / “Amused to Death” confirmed as a 5.1 surround SACD. QSound was eventually re-dubbed "Q1" after the introduction of "Q2", a positional 3D algorithm for headphones. A list of recording artists using QSound audio technology for that extra sonic sizzle. The album was originally released in 1992, but Guthrie and Plante revisited the original recordings to create a fully surround-sound experience, and in the process managed to weave … View credits, reviews, tracks and shop for the 1994 CD release of "Amused To Death" on Discogs. Best Surround Sound Album New 5.1 Surround Remix by James Guthrie! Amused to Death is perfectly titled; it conveys its maker's mordant humor and underlying pessimism. The art has been updated for 2015 by Sean Evans, the creative director of Waters' 2010-2013 "The Wall Live" tour … All of it is mixed with due care, and this tapestry of samples never threatens to draw your attention from the main event. Samples were pulled from documentaries where accounts from soldiers in world wars are juxtaposed with lyrics about celebrity and consumer culture. Ben is a writer and musician from the UK with a background in music technology. The 2015 SACD edition of Amused to Death features a new 5.1 surround remix of the album completed by longtime Roger Waters / Pink Floyd collaborator and co-producer, James Guthrie. Another long period since there has been an update on this page, but while there is still no surround sound mix of "The Wall", Roger Watersis reissuing his classic third solo album "Amused to Death" as either a CD/Blu-Ray set or as an SACD, both complete with a brand new 5.1 surround sound mix by longtime Pink Floyd/Roger Waters engineer James Guthrie. “We did try to make a dynamic album, but, really, that’s going to happen anyway, just because of the music that Roger writes,” Guthrie told me exclusively last fall. Hybrid Multichannel & Stereo SACD! In 2016, James Guthrie and Joel Plante were awarded the Grammy for Best Immersive Audio album for their remastering and immersive rethinking of Amused to Death by Pink Floyd’s father of prog-rock, Roger Waters. The album ends with the title tune, in which alien anthropologists visit earth absent human life and conclude that, grouped around television sets and mesmerized by the message, the human race “amused itself to death”. If you’ve never heard this work on a decent stereo system it’s worth the purchase just to … He writes about engineering and production, musicianship and music equipment for a number of publications including his own site, subreel.com, Get Immersive Audio Album News & Sample Tracks. The 2015 SACD edition of Amused to Death features a new 5.1 surround remix of the album completed by longtime Roger Waters / Pink Floyd collaborator and co-producer, James Guthrie. Fans of his work dating back from Pink Floyd days may get echoes of “Dark Side of the Moon” from much of the chattering which is going on throughout this album. What is intriguing is this re-issue has been released on both Blu-ray and SACD formats, allowing all high resolution audio enthusiasts to access their preferred version. These are some comments from my first play: At first I was very disappointed with the sound quality, but playing it with a bit more detail than I play the Wilson 5.1 discs (by using my Direct mode) the recording got back it's life. 1. With Amused to Death, Roger Waters sounded the alarm about a society increasingly - and unthinkingly - in thrall to its television screens. “His storytelling is so dynamic, and we follow his lead.”. Amused to Death is perfectly titled; it conveys its maker's mordant humor and underlying pessimism. Though Amazon UK can't get Yes's Tales From Topographic Oceans in stock to send to me, they did send me the Amused to Death blu ray at a cheapish price. Roger Waters's third solo album allowed a faint but perceptible return to the sound of his estranged former band, Pink Floyd. Discussion in 'Music Corner' started by Murphy13, May 12, 2015. The quality of production by Waters, Nick Griffiths , and Patrick Leonard is simply superb and makes this album worthwhile for any audiophile even if you like nothing else. QSound is the original name for a positional three-dimensional (3D) sound processing algorithm from QSound Labs that creates 3D audio effects from multiple monophonic sources and sums the outputs to two channels for presentation over regular stereo speakers. The winners were listed as follows: "James Guthrie, surround mix engineer; James Guthrie & Joel Plante, surround mastering engineers; James Guthrie, surround … The classic example of Qsound is Roger Water’s Amused To Death. The irregularly shaped room measures perhaps 60′ by 40′. Musically, Waters experimented in the composition and recording of this album, giving plenty of fodder for Guthrie and Plante’s engineering to create a wide and lush tapestry of stereo storytelling. “Amused to Death” is the motherlode… If I were to play one entire album for someone to sho w what a stereo recording can sound like in surround sound, it would be Roger Waters’ “Amused to Death”. Jett Galindo from the Mastering Lab recently got in touch with us to point out a few details about Roger Waters‘ forthcoming 5.1 SACD and vinyl reissue of Amused to Death and at the same time Sony issued a press release about the reissue. Amused to Death is mixed in QSound, a virtual surround sound, which enhances the spatial feel of the audio along with the various sound effects sprinkled throughout the album. For more of my interview with Roger Waters and his own views about Amused to Death in 5.1, Pink Floyd’s innovations with live quad, and his thoughts about surround sound overall, go here. by Ben Jacklin. The surround mastering engineers were Guthrie and Joel Plante. The surround mastering engineers were Guthrie and Joel Plante. The art has been updated for 2015 by Sean Evans, the creative director of Waters' 2010-2013 "The Wall Live" tour and movie. Amused To Death 5.1 Surround reissue wins Grammy Award. QSound Labs offers a complete suite of cutting-edge, proven 3D audio technologies that are broadly deployed in dedicated hardware, digital signal processors and PC host processors at various levels from user applications to plug-ins to fully-embedded core system components. It was the inspiration for creation of a true 5.1 Multichannel mix for the Anniversary album's SACD edition according to Kassem. The album was originally released in 1992, but Guthrie and Plante revisited the original recordings to create a fully surround-sound experience, and in the process managed to weave the numerous layers of instrumentation, sampling and experimenting into a 72-minute joyride. The Analogue Productions' reissue will faithfully preserve this three-dimensional experience. It is hard to ignore the term “concept album” here. The winner of the Best Surround Sound Album at the 58th annual Grammy Awards, which were handed out in Los Angeles on Monday, February 15, was Roger Waters’ Amused to Death. One gets the feeling that this is an album which easily could have become disjointed with a lesser engineer. To describe an album as “ahead of its time” is perhaps a cliche, but in the case of Amused to Death, it is apt. This album was generally well received in 1992 and gained plaudits for its creativity and originality as a concept album. 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