The droll absurdity of Nordic cinema acquires an eco-terrorism edge in Woman at War, a movie filled with dualities and one singular performance. In the film’s breathtaking opening sequence, shot and edited in the heart-pounding tradition of cat-and-mouse thrillers (by Bergsteinn Björgúlfsson and David Alexander Corno, respectively), she runs from helicopters and drones, hides in natural cracks of the earth and finds refuge in the home of a local greenhouse farmer (Jón Jóhannsson), who lends her a runaway vehicle and becomes her unofficial accomplice. Kevin Maher. When we meet Halla, she’s being hunted by police drones and American spy choppers (touches of the action thriller), but contemplates a career change when her four-year-old adoption application for a traumatised Ukrainian child is finally accepted. The film has a bone-dry sense of humour, though the quirk level is turned up just a fraction too high. There is a very good performance from Halldóra Geirharðsdóttir as Halla, a fortysomething choir conductor.
This quirky Icelandic-language dramedy about an unassuming choir conductor from Reykjavik turned notorious eco-terrorist has a prodigious go-for-broke central performance from Halldora Geirharosdottir. Forgot your password? Cutting power lines to sabotage a local aluminum plant in her spare time, Halla mostly operates alone in her heroic yet elaborate quests. and to receive email from Rotten Tomatoes and Fandango. Approaching weighty themes with a very light touch, Benedikt Erlingsson’s “Woman at War” is an environmental drama wrapped in whimsical comedy and tied with a bow of midlife soul-searching. he Icelandic actor-turned-director Benedikt Erlingsson achieved cult status with, his tremendous 2013 film Of Horses and Men. |, April 29, 2019 J.R. 'Bob' Dobbs & The Church of the SubGenius, Fall TV First Look: Find Out What’s Coming, The Best Peacock Original Shows and Movies, All Upcoming Disney Movies: New Disney Live-Action, Animation, Pixar, Marvel, and More. ‘Woman at War’ Review: Industrial Blight as Icelandic Fable, Halldora Geirharosdottir in “Woman at War.”. The film is both deeply serious and fun at the same time. Among the broader topics raised: The threat to the environment posed by giant multinational corporations and our collective need for energy. Cannes 2018 Woman at War review – pylon-slayer faces adoption challenge in quirky Icelandic eco-drama Benedikt Erlingsson’s follow-up to Of Horses and Men is a … As Halla’s actions grow bolder, from petty vandalism to. Coming Soon, Regal Woman at War review – pylon-slayer faces adoption challenge in quirky Icelandic eco-drama. drama, Highlights not only the rage and ferocity of women's activism, but also its playfulness, generosity and tenderness.
Halldora Geirharosdottir plays the longbow-wielding heroine Halla.
Has the globalism of everything gone too far, and how do citizens and local communities and nations find their place in a world of sweeping technological and economic change?
894646. In its most endearing moments, Erlingsson’s idiosyncratic sophomore feature is as rebellious and confident as the main heroine it follows through vast and damp Icelandic landscapes.
Verified reviews are considered more trustworthy by fellow moviegoers. Please click the link below to receive your verification email. It is an attractive and sympathetic performance from Geirharðsdóttir as Halla. And the weird truth dawns simultaneously on her and the audience.
She plays longbow-wielding and Semtex-toting heroine Halla (she fires metal cable across electricity wires and uses the Semtex to blow up pylons), as well as Halla’s disapproving twin sister, Asa. Known to others only by her alias “The Woman of the Mountain,” Halla secretly wages a one-woman-war on the local aluminum industry.
A fourth-wall-breaking live band (that includes composer Davíð Þór Jónsson, musicians Magnús Trygvason Eliasen and Ómar Guðjónsson on keys, drums and sousaphone) and later on, a Ukrainian a cappella trio, accompany Halla in almost every scene to both comedic and unsettling effect. Halla is a fifty-year-old independent woman. The image is an example of a ticket confirmation email that AMC sent you when you purchased your ticket. The package is lumpy at times, but not unwieldy, thanks to an engaging central performance and a cinematographer, Bergsteinn Bjorgulfsson, whose sweeping shots of frozen heath and lowering Icelandic skies wash the screen — and our minds — of extraneous distractions.
This is a rather cold and detached film, unfolding at a very deliberate pace and somewhat lacking a typical forward momentum. Notable Video Game Releases: New and Upcoming. All rights reserved. By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie. The delightful combination of these elements inform and deepen Halla’s journey as a single woman, friendly neighbor and concerned citizen looking for a place in a deteriorating world she desperately tries to better. And this couldn’t be happening at a more inconvenient time for her—all of a sudden, her long-awaited child adoption plans start looking like a real possibility, after the adoption agency finds her an orphaned little girl in the Ukraine. There’s a stylistic trick here, swiped from Emir Kusturica (Black Cat, White Cat), that puts the soundtrack band (a jolly three-piece oompah group) into the scene whenever music is required. I have been to Iceland, and the film does a great job on featuring the landscape and people there. and the Terms and Policies, Given the nickname “Mountain Woman” by the media, Halla slowly finds herself at life-threatening odds with the authorities and their intensifying efforts to hunt her down. Just below that it reads "Ticket Confirmation#:" followed by a 10-digit number. No one would suspect the mousy Halla, and the cops keep detaining a suspicious-looking male tourist. WOMAN AT WAR never quite strikes the memorable blow it wants to, but neither does it crash to earth like a pylon sabotaged by Halla. By creating an account, you agree to the Privacy Policy A movie as intensely subjective as “Woman at War” had better have an actress deserving of unwavering attention, and Erlingsson has found her in Geirharosdottir, who proves to be supremely at … |, July 25, 2020 | Rating: 4/5
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