The song structures and overall vibe of the albums are of someone legitimately making a record in their garage with whatever cobbled together equipment happened to be there. Format: CD, Year: 2017, Label: Sub Pop Records (SP 1191), Barcode: 098787119121, Length: 47:35 4.75 (see all ratings) Genres: Indie Rock, Riot Grrrl, Punk Rock. These outlets were a crucial element in providing the essential spark of possibility: You could not only start a band, but you could also be part of an entire system of thinking and experimenting in new and unexplored ways. The current line-up features Carrie Brownstein (guitar and vocals) and Corin Tucker (vocals and guitar) - following the departure of long-time member, Janet Weiss (vocals, drums, and … [2] At the start of August, the band posted the 12 songs as QuickTime streams on the Kill Rock Stars label website. Sleater-Kinneys diskografi [5] Weiss has stated that Goodmanson has a "unique" way of working with the band. Yet, surprisingly, the reaction from everyone I've played it for has been like, 'Wow, these guys are really going for it'". Some tracks are reminiscent of [1990s] Sonic Youth ('Be Yr Mama'), while others are just blasts of punk angst ('A Real Man'). On their last day there, inspiration struck. According to Tucker, "Marshall is all over One Beat. The album peaked at number 107 in the United States on the Billboard 200 and entered the Billboard Top Independent Albums at number five. Complete your Sleater-Kinney collection. The group's name is derived from Sleater-Kinney Road, Interstate 5 off ramp #108 in Lacey, Washington, the location of one of their early practice spaces.On June 27, 2006, the band announced an indefinite hiatus, stating there were "no plans for future tours or recordings". The track incorporates a horn section. Sleater Kinney’s Corin Tucker discusses writing “A New Wave” on the Fender Tracks series. Discover releases, reviews, credits, songs, and more about Sleater-Kinney - Dig Me Out at Discogs. Want to join the Discogs community of music lovers? Named after the road where one of their first practice spaces was located, Sleater-Kinney eventually became both women’s main focus when their respective bands broke up. Studio in Portland, Oregon.The album peaked at number 107 in the United States on the Billboard 200 and entered the Billboard Top Independent Albums at number five. “A Quarter to Three” This song sounds like nothing else in the Sleater-Kinney catalogue. The Australian-born Lora Macfarlane became the band's first permanent drummer in late 1994. Some tracks are reminiscent of [1990s] Sonic Youth ('Be Yr Mama'), while others are just blasts of punk angst ('A Real Man'). Complete your Sleater-Kinney collection. Want to join the Discogs Community of music lovers. 17-mar-2016 - Discover releases, reviews, credits, songs, and more about Sleater-Kinney - Dig Me Out at Discogs. [18] Drowned in Sound's Becky Stefani indicated that listening to the record makes one feel that "all is well in alternative music". Topics that had often been considered taboo — rape, incest – were front and center in discussions and content, being moved from the shameful shadows to open conversations. One Beat is the sixth studio album by the American rock band Sleater-Kinney, released on August 20, 2002, by Kill Rock Stars.It was produced by John Goodmanson and recorded between March and April 2002 at Jackpot! The Australian-born Lora Macfarlane became the band's first permanent drummer in late 1994. Log in to edit; Open edits; Editing … Sleater-Kinney Sleater-Kinney was formed in early 1994 in Olympia, Washington, by Corin Tucker and Carrie Brownstein. [26] Victoria Segal of NME stated, "Few bands could explore motherhood and terrorism without making you want to shoot them: Corin Tucker's electric-shock voice and the adrenal guitars make them... essential pop topics". Like many a great band, Sleater-Kinney inhabited their time so thoroughly it took an extended hiatus to realize the extent of their legacy. [31] As of February 2015, One Beat had sold 90,000 copies. The band embarked on an extensive U.S. tour in support of One Beat at the start of September. At the start of 1994, the bandmates took a trip to Australia. Maybe wishing is worth the risk. No Cities to Love ~ Release by Sleater‐Kinney (see all versions of this release, 6 available) Sub Pop Records reissued the remastered catalog of the acclaimed American rock band, Sleater-Kinney on October 21st 2014. Tucker adds that her approach and love for the song comes from its Beatles-sounding chorus. Originally, the band was Corin Tucker and Carrie Brownstein's side-project. As Tucker explains, "the songs are more intricate and require a lot more arranging and tweaking. The two acts would often play shows together, inspiring the women to work together on a side project. Not only did this environment allow and encourage such questioning of tradition, but it also implored for exploration and actualization, making it one of the key geographic places for what is now called the riot grrrl movement. Discover releases, reviews, credits, songs, and more about Sleater-Kinney - Sleater-Kinney at Discogs. I am spotlighting Sleater-Kinney.The iconic American Rock band that formed in Olympia, Washington, in 1994. Before the release, Brownstein took time off to act in an independent film, Group, which documents a group of women meeting each week in therapy sessions. Alongside the standard edition, a limited edition of the album was also made available for purchase. There seemed- for a moment- that the underground would become completely normative. 5 on the Independent Albums chart. It was post-Cobain, post-Anita Hill, pre-Internet, and pre-cell phone. Cobain had been a beacon for underground culture, a tiny beam for those living on the periphery. From this organic lo-fi presentation, singles and EPs of mostly queer women artists manifested, making Chainsaw the perfect fit for the new group. Descubre ediciones, críticas, créditos, canciones y mucho más acerca de Sleater-Kinney - Live In Paris en Discogs. Corin Lisa Tucker (born November 9, 1972) is an American singer, songwriter, and guitarist, best known for her work with rock band Sleater-Kinney.Prior to forming Sleater-Kinney, Tucker was a member of the indie rock group Heavens to Betsy.She has also released work under the name The Corin Tucker Band. Sleater-Kinney är ett amerikanskt rockband bildat i Olympia i Washington 1994. Studio in Portland, Oregon. Deras diskografi består av åtta studioalbum , ett samlingsalbum , 10 singlar samt sex musikvideor . Information on Sleater-Kinney. The duo met recording engineer Nick Carroll at 486 Victoria Street in Melbourne and stayed up the entire night recording tracks that they had been working on. [33] while The Boston Phoenix included it in its unnumbered list of The Best Albums of 2002. It was the hardest thing that I've ever lived through, that fear and anxiety, and I think I was able to let go into the music. For the music program, see, CS1 maint: others in cite AV media (notes) (, "Sleater-Kinney's Corin Tucker on Time, time off and time in the rock game", "Interview: Carrie Brownstein of Sleater-Kinney", "Sleater-Kinney: America's Answer to the Clash — three girls who drink peppermint tea and kick ass", "An Interview With Sleater-Kinney's Carrie Brownstein", "Sleater-Kinney Starts Fresh With Sub Pop Deal", https://en.wikipedia.org/w/index.php?title=One_Beat&oldid=1016483468, CS1 maint: others in cite AV media (notes), Short description is different from Wikidata, Album articles lacking alt text for covers, Wikipedia articles with MusicBrainz release group identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 7 April 2021, at 12:24. Sleater-Kinney received favorable reviews from music critics.AllMusic reviewer Zach Curd stated that the album "is a medium-fi blast of thrashy riot grrrl rock. View credits, reviews, tracks and shop for the 1999 Vinyl release of "The Hot Rock" on Discogs. Hill, on the other hand, had publicly accused Supreme Court nominee Clarence Thomas of sexual harassment. The self-titled debut LP hit stores in 1995, released by Chainsaw Records. Log in to edit; Open edits; Editing … In many respects, they were the defining American indie rock band of the second half of the '90s, the group that harnessed all the upheaval of the alt-rock explosion of the first part of the decade and channeled it into a vigorous mission statement. Dig Me Out marked the debut of Janet Weiss, who would become the band's longest-serving drummer. [15], To promote the album, Sleater-Kinney performed at a street festival in Los Angeles alongside Sonic Youth on the weekend of August 25. [1] The album's track list was confirmed in May. At gigs and events, what had often been a traditionally male-dominated space — the rock show — now became a place for women to not only express themselves in a safe environment but interact and connect with other like-minded individuals. The album received universal acclaim from music critics and was listed on several "Best Albums of 2015" lists. [32], One Beat was ranked at number five in the Pazz & Jop poll run by The Village Voice, which surveyed 695 critics to find the best albums of 2002, [17] Prominent music critic Robert Christgau, writing for The Village Voice, explained that Sleater-Kinney aim for "defiant uplift" and seem energized by the challenge. 2 on the Heatseekers Albums chart, and No. While Sleater-Kinney lacks the standout sing-along tracks of future albums by the band, the record set the foundation for what was to come next, supplying a template of possibility for other young women. It is the first album following a decade-long hiatus and the band's 2005 release, The Woods. Brownstein described the album's overall sound by saying, "I think of Dig Me Out and The Hot Rock as the two ends of the spectrum and it's kind of been combined on this record. Complete discography, ratings, reviews and more. Albums include The Woods, Dig Me Out, and No Cities to Love. In other hands, this would have been a muddled, confused mess. Brownstein has referred to the album as a "strident and pointed political record, in terms of the lyrics". The demo tapes were brought back to Olympia, where production took place under the guidance of Tim Green at the Red House; Scottish drummer Laura MacFarlane was brought in to help put the finishing touches on the record. It’s sonically … Praise centered on its cathartic musical delivery and progressive politics. Many girls were trying to figure out what it meant to be a feminist in a world where women still did not always have the same advantages as their male counterparts, despite two previous waves of campaigning and protest. Format: CD, Year: 1996, Label: Chainsaw Records (chsw12), Barcode: 759718121223, Length: 22:46 [35] Spin ranked One Beat at number 12 in its list of "Albums of the Year" for 2002; staff writer Caryn Ganz praised it as Sleater-Kinney's "sharpest statement yet". [5], The album was remastered and reissued in 2014. [3] Vocalists and guitarists Corin Tucker and Carrie Brownstein did not follow a set of blueprints when crafting the songs; rather, they simply worked off each other's input and proceeded in a piecemeal way. In March 2002, Sleater-Kinney previewed tracks from One Beat during a series of U.S. East Coast performances and at the All Tomorrow's Parties festival in Los Angeles. In 1991, Dresch began making tapes compiling favorite bands and selling them at shows. There have been a few brilliant and fruitful reunions over the last few years, from My Bloody Valentine, Blur and Sleater-Kinney, all dishing up killer albums we thought we’d never get. There is an immediacy here that screams of a waiting that cannot happen — it has to be now. The band's current lineup features Corin Tucker (vocals and guitar) and Carrie Brownstein (guitar and vocals), following the departure of longtime member Janet Weiss (vocals, drums, and harmonica) in 2019. The Woods is the seventh and final studio album by the indie rock trio Sleater-Kinney. tour. Sleater‐Kinney 1 Showing official release groups by this artist ( Show all release groups / Show official various artist release groups / Show all various artist release groups ) Sleater-Kinney perform #live to a completely sold out house at the Palace Theatre in St. Paul, Minn. With Sleater-Kinney, the grittiness of production and naïve style of answer/response work. [36] Pitchfork placed the record at number 14 in its end-of-year list for 2002; contributor Brendan Reid wrote, "Years at the top haven't dulled their willingness to take risks, and that's just what they do, spectacularly, on One Beat". The media crucified her, claiming she was delusional. Sleater-Kinney (the name) is taken from a local freeway off-ramp. Though first appearing 25 years ago, it is both chilling and timely to see how relevant the circumstances that brought Sleater-Kinney to prominence are still current and topical. Like many a great band, Sleater-Kinney inhabited their time so thoroughly it took an extended hiatus to realize the extent of their legacy. https://blog.discogs.com/en/sleater-kinney-25th-anniversary One Beat is the sixth studio album by the American rock band Sleater-Kinney, released on August 20, 2002, by Kill Rock Stars. Sleater-Kinney (the name) is taken from a local freeway off-ramp. [2] The band conceived the album to be "the voice in the silence" following the terrorist attacks in the U.S. on September 11, 2001. One Beat is the follow-up to Sleater-Kinney's highly acclaimed fifth album All Hands on the Bad One, released in 2000. Corin Tucker said that it "wasn't really a conscious decision" to write about the attacks, but there was "just such as an overwhelming presence in our minds as we were trying to write songs, that we felt that we really needed to deal with it, and that we really needed to write about it". [1] Sleater-Kinney continued touring with the album for two years, during which time they secured a support slot on Pearl Jam's U.S. Riot grrrl combined the ethos of punk rock rebellion and accessibility with politics and do-it-yourself acumen. In many respects, they were the defining American indie rock band of the second half of the '90s, the group that harnessed all the upheaval of the alt-rock explosion of the first part of the decade and channeled it into a vigorous mission statement. [5] The album contains some of Sleater-Kinney's most polemical songs; "Far Away" explicitly references the September 11 terrorist attacks and contains criticism of American president George W. Bush. [30] Douglas Wolk of Blender gave the album a maximum rating of five stars out of five by indicating that the band "swagger like they never have before, eschewing the filler that made their last few records drag". [8] "Hollywood Ending" attacks the concept of celebrity and the mainstream female body image. [19], As of November 2004, the album had sold 73,000 copies in the U.S. according to Nielsen SoundScan. [11] In One Beat, Carrie Brownstein plays her guitar in the style of Document-era Peter Buck, the guitarist of R.E.M..[11] The album contains the use of wah-wah pedals, synthesizers, sing-along choruses, and hints of blues music. [2] The album took longer to write than its predecessor. All Hands on the Bad One is the fifth studio album by the American rock band Sleater-Kinney, released on May 2, 2000, by Kill Rock Stars.The album was produced by John Goodmanson and recorded from December 1999 to January 2000 at Jackpot! [16], Media response to One Beat was highly favorable; aggregating website Metacritic reported a normalized rating of 85 out of 100 based on 22 critical reviews, indicating "universal acclaim". These ideas had not only taken root but blossomed in the region, with the founding of several independent record labels (K in 1982, Sub Pop in 1986, and Kill Rock Stars and Chainsaw in 1991). Group, Excuse 17 sold 90,000 copies acts would often play shows,. 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